{"id":58279,"date":"2023-05-10T20:36:17","date_gmt":"2023-05-10T20:36:17","guid":{"rendered":"https:\/\/7siff.com\/?p=58279"},"modified":"2023-05-14T19:11:19","modified_gmt":"2023-05-14T19:11:19","slug":"fascinante-y-fugaz-la-magia-del-cine-como-atractivo-de-feria","status":"publish","type":"post","link":"https:\/\/7siff.com\/en\/fascinante-y-fugaz-la-magia-del-cine-como-atractivo-de-feria\/","title":{"rendered":"Fascinating and fleeting, the magic of cinema as a fairground attraction"},"content":{"rendered":"<p>An approach to \"Two Foxholes\", by Kang Le.<br>By Nicol\u00e1s Sandrini.<\/p>\n\n\n\n<p>\"Two Foxholes\" is a collage that raises its voice as resistance to historical tragedies, those past and still latent, those present and those we can still avoid.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"566\" height=\"800\" src=\"https:\/\/7siff.com\/wp-content\/uploads\/2023\/05\/IMG_4798.jpeg\" alt=\"\" class=\"wp-image-58280\" srcset=\"https:\/\/7siff.com\/wp-content\/uploads\/2023\/05\/IMG_4798.jpeg 566w, https:\/\/7siff.com\/wp-content\/uploads\/2023\/05\/IMG_4798-212x300.jpeg 212w, https:\/\/7siff.com\/wp-content\/uploads\/2023\/05\/IMG_4798-8x12.jpeg 8w\" sizes=\"(max-width: 566px) 100vw, 566px\" \/><\/figure>\n\n\n\n<p>The fleeting trace of countless glances reminds us of our ephemeral passage, which leaves barely a trace in the face of those terrible events we have been going through for as long as we can remember and even before we understood their imperious necessity.<\/p>\n\n\n\n<p>As its name invites us to think: \"two trenches\", the proposal requires us to choose a side between winners or losers, yes, it is inevitable; but it is also irrefutable the power and strength of the images, as they allow us to enable a truce at least in our own reflection, reserved to the space generated by the cinema under the shelter of a magical beam of light in the complicity conceived by the screen and our gaze.<\/p>\n\n\n\n<p>\"Two foxholes\" is a tribute to primitive cinema, to that first school of cinema, of discovering the authentic and fascinating of the new fairground attraction. The seventh art, once again, proclaims itself as a brave weapon capable of twisting history and thus, with its characteristic tenacity, succeeding in saving the world.<\/p>\n\n\n\n<p><strong>2022 award winner of Video Art mention.<br>You can submit until July 23rd. Don\u2019t miss it.<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"800\" src=\"https:\/\/7siff.com\/wp-content\/uploads\/2023\/05\/IMG_4799.jpeg\" alt=\"\" class=\"wp-image-58281\" srcset=\"https:\/\/7siff.com\/wp-content\/uploads\/2023\/05\/IMG_4799.jpeg 600w, https:\/\/7siff.com\/wp-content\/uploads\/2023\/05\/IMG_4799-225x300.jpeg 225w, https:\/\/7siff.com\/wp-content\/uploads\/2023\/05\/IMG_4799-9x12.jpeg 9w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/figure>","protected":false},"excerpt":{"rendered":"<p>An approach to \"Two Foxholes\", by Kang Le.<br \/>\nBy Nicol\u00e1s Sandrini.<\/p>\n<p>\"Two Foxholes\" is a collage that raises its voice as resistance to historical tragedies, those past and still latent, those present and those we can still avoid.<\/p>\n<p>The fleeting trace of countless glances reminds us of our ephemeral passage, which leaves barely a trace in the face of those terrible events we have been going through for as long as we can remember and even before we understood their imperious necessity.<\/p>\n<p>As its name invites us to think: \"two trenches\", the proposal requires us to choose a side between winners or losers, yes, it is inevitable; but it is also irrefutable the power and strength of the images, as they allow us to enable a truce at least in our own reflection, reserved to the space generated by the cinema under the shelter of a magical beam of light in the complicity conceived by the screen and our gaze.<\/p>","protected":false},"author":2,"featured_media":58285,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"ngg_post_thumbnail":0,"footnotes":""},"categories":[520],"tags":[],"class_list":["post-58279","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-resenas","category-520","description-off"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/7siff.com\/en\/wp-json\/wp\/v2\/posts\/58279"}],"collection":[{"href":"https:\/\/7siff.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/7siff.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/7siff.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/7siff.com\/en\/wp-json\/wp\/v2\/comments?post=58279"}],"version-history":[{"count":2,"href":"https:\/\/7siff.com\/en\/wp-json\/wp\/v2\/posts\/58279\/revisions"}],"predecessor-version":[{"id":58292,"href":"https:\/\/7siff.com\/en\/wp-json\/wp\/v2\/posts\/58279\/revisions\/58292"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/7siff.com\/en\/wp-json\/wp\/v2\/media\/58285"}],"wp:attachment":[{"href":"https:\/\/7siff.com\/en\/wp-json\/wp\/v2\/media?parent=58279"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/7siff.com\/en\/wp-json\/wp\/v2\/categories?post=58279"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/7siff.com\/en\/wp-json\/wp\/v2\/tags?post=58279"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}